Keepers (detail)
Keepers (full version)
Digital painting/illustration/collage.
For the Specters and Dreams series.
Some of my works remain elusive, even to myself. Sometimes I like to dress up nightmares in pretty frocks with ribbons attached. Keepers remains faithful to my ongoing fascination with memory, the unconscious and dreams. My boyfriend responded instantly with 'David Lynch!', but I replied, indignantly, "No! It's Dorothea Tanning!". I always mail new pieces to my parents (usually at some ungodly hour of the night) so that they can meet my latest anomalies over their morning coffee. This time my mother asked me what on earth had terrified her so, for her hair to stand on end.
Well, not terror at all. Just some surreal, transformative skullduggery. I was so pleased with the landscape, which took me quite a few sessions to paint, and the scene, the situation, with its accompanying characters, seemed to grow out of the landscape itself somehow, as if they were born of it. I sometimes perceive my characters to have grown a little bit older - this time a girl on the cusp of adolescence - and their surroundings appear to have leapt into tune with them, often suggesting adventures into the unknown. And all of this, of course, is usually about me, in the autobiographical sense, which tends to describe most of the works in the Specters and Dreams series. Livid, living symbols! The skulls may represent a burden, or ever-present presences, the ghosts of her past. These are my favourite visual themes; creating a sort of serenity which has so much potential for terror. I suspect that something unconsciously quite terrible has always informed/driven my art, although the process itself brings such pleasure (to me!), transforming the darkness, those elusive flickers of memory into something tangible, ordered and (hopefully) quite positive/powerful.
I so wish that I could explain things just a tiny bit more eloquently. Perhaps this is why I make images instead of writing fiction (which was always my first love), because the images come so naturally, and their ongoing little fictions are already woven into them. And yet because of this, their private little fictions will have to remain eternally subject to the personal interpretation of each individual who 'reads' them.
There is a thunderous silence to Keepers, something which thrills and disturbs me to the core. The skull with the crown has such strong relevance for me, which any efforts at verbal translation could not justify. So, ultimately, so much remains hidden, both in translation and in the picture itself. A sort of revelation in half light.
Gosh, that was confusingly candid.
And speaking of fiction, I am currently reading two superdooper wonderful books: The Oxford Book of Short Stories, edited by Joyce Carol Oates, and a compilation of essays about the works of Angela Carter, entitled Flesh and the Mirror. So many new discoveries in the American Short Stories compilation, especially works by writers such as James Baldwin, Herman Melville and Henry James.
In shop related news, I am still awaiting the arrival of three, new Limited Edition books, which I am quite excited about because they are my first foray into hardback territory! A little bit expensive to produce, so there will only be the three available this time around - but I shall be looking to create more accessible options for after the new year. Do check my News page for more details.

xxx